Meet the professionals.

Tosin Ogunbameru is the founder and driving force behind IM Studioz (Imperiah Studios). A gifted guitarist, producer and hands-on engineer, he brings years of practical studio experience, musical sensitivity and a clear vision for professional, artist-centred recording in the UK.

Whether tracking live bands, shaping intimate acoustic performances, producing full sessions or delivering polished mixes, Tosin approaches every project with the same priority: capture the emotion and intention first, then refine it so the music translates everywhere it needs to go.

His work sits comfortably across gospel, contemporary Christian, acoustic and broader contemporary styles — the same world in which IM Studioz collaborators thrive.

Trusted by artists and teams who value a calm, professional environment and a collaborator who understands both the creative and technical sides of making records, Tosin has built IM Studioz as a focused London home for music, podcasts and live broadcasts. Artists leave feeling heard, supported and with work that is ready for release.

Kenzeal is one of the most sought-after mixing and mastering engineers in African gospel and contemporary music. His work is known for exceptional clarity, depth and emotional weight — vocal-forward balances that translate across car speakers, phones, festival systems and streaming platforms — and for a blend of technical precision with strong musical intuition.

He treats every session as music first, technical work second, delivering polished yet genuinely 'alive', broadcast-ready mixes.

His selected credits include Pelumi Deborah, Eben, Solomon Lange, Sunmisola Agbebi, Manus Akpanke, Laolu Gbenjo, Bukola Bekes, Kestin Mbogo, Sola Allyson, Tee Worship, Faith Captain, Deborah Ajayi, David G., Tosin Bee, Eunice Njeri, Lilian Nneji and Jennifer Tavira — and he has mixed and mastered live worship projects and releases associated with artists such as Lawrence Oyor and Sunmisola Agbebi.

Trusted by artists, producers and record labels alike, he is frequently described as one of the most sought-after engineers in the African gospel space — and for making artists feel heard while he works.